Watching people - seeing how they act, react & interact… & in the case of The Goodwood Revival - how they dress up!

“Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever… It remembers little things, long after you have forgotten everything”

— Aaron Siskind

Early morning fly-by - Goodwood Revival - September 2019

When I left my house in the early hours of a beautiful September morning I knew the day would be a good one. Having an early start meant the drive to Goodwood was traffic free. I turned up in the field and was greeted by the happy & smiling parking attendant, he showed me where to go and I knew it was going to be a good day at Goodwood.

I was one of the first people there that morning and couldn’t wait to get my cameras out and start shooting.

Whilst walking across the field to the entrance, there was an old fashioned kind of feel. It made me think of my grandparents going out for the day on their motorbike - he had a Brough Superior - I imagined my Nan & Grandad, a sidecar & matching goggles setting off with a hearty picnic of roughly cut bread and lumps of mature cheddar, all stuffed in the panier.

Goodwood has many events throughout the year and the Goodwood Revival is one to remember and to look forward too. It’s like stepping back in time watching all the people dressed up in vintage clothes, smoking pipes and wearing neck scarves and cheese cutter hats.

This iconic motorsport event first appeared in the calendar back in 1998 and is now regarded as one of the biggest historic motorsport events in the world and apparently the only one to be staged entirely in period dress.

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Trackside was an exciting place to be. Not just watching these cars on their test laps but the whole experience and sensory overload of the familiar yet overpowering racetrack smells and the sounds of the tannoy systems - They are often a little too loud or just that little too muffled as the cars roar past...

It’s one of those experiences that takes you back to when you were younger. For me it would be back to the memories of Brands Hatch in Kent, sitting uncomfortably on the often wet grass bank watching cars or motorbikes going round and round the track and then the sudden excitement and noise of the crowd as one of them spins off the track.

The cameras were all rolling too, trying to catch the action, the noise and maybe the crashes...

There was lots to see and do at The Goodwood Revival and I walked all day, all over the place, looking for weird and sometimes bizarre things I wanted to photograph.

Documentary wedding photography and portrait photography are my main income alongside being a documentary event photographer, so observing the normal stuff and trying to make it interesting to view is fun and challenging. Especially somewhere like The Revival as there is so much going on and it’s like going back in time, a different kind of normal. Seeing things that we just don’t see now-a-days in our modern, everyday life. The old fashioned clothes, singers, dancers, oh, and there are the amazing cars and motorbikes too of course. The thing is, I knew all that stuff was going to be there, the cars, the motorbikes, the people dressed up in their old fashioned clothes, the racetrack, I knew most of it beforehand.

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But I didn’t expect there to be such a great atmosphere, the feeling of almost seeing my grandparents, and my parents (metaphorically speaking of course) walking around this time-warp of a place - Being able to get a tiny glimpse of seeing the world how they would have seen it when they were young. That was the thing that brought it all together for me, to create one amazing experience!

Apart from the price of beer that is! That was a very modern experience - you could say almost futuristic!!

As a portrait photographer who loves to work in a documentary, candid style, I wanted to go to The Goodwood Revival mainly to photograph the people who attended it. To soak up the atmosphere of this event. See what people do, how they dress and to see the amazing cars too of course.

Within the last couple of years I have switched camera brands & started to use the Fujifilm X system full time. I love the way they feel in my hand, their size & simple looks really helps you blend in for this kind of work. The image quality is beautiful too and after 18 months of testing I finally added another body and a couple of lenses to my kit bag and now use them for all my work since the end of 2018.